Saturday, December 11, 2010

SELECTED CURRICULUM VITAE

EDUCATION:
BA in Fine Arts, RMIT, 1991
Postgraduate Diploma in Art History, The University of Melbourne, 1994
Master of Arts in Art History, The University of Melbourne, 1998
PhD in Cinema Studies, The University of Melbourne, 2005

AWARDS:
2004 Writing-up award, Faculty of Arts, The University of Melbourne.
2002 Postgraduate scholarship awarded by The University of Melbourne.
1998 Co-winner (with six other writers) of the Inaugural Faulding Award for Writing for Multimedia for the 'Flightpaths: Writing Journeys' CD at the Adelaide Festival of the Arts.

PUBLICATIONS AS AUTHOR:
BOOKS:
(2009). The Paradox of the Posthuman: Science Fiction/Techno-Horror Films and Visual Media, VDM Verlag, Dr Müller Aktiengesellschaft & Co. KG Germany.

BOOK CHAPTERS:
(2008) 'The Sacrificial Body of Orlan' (re-published) in: Claudia Malacrida and Jacqueline Low (eds), Sociology of the Body: A Reader, Oxford University Press.

(2008) 'Simulated Talking Machines: Stelarc’s Prosthetic Head', Critical Digital Studies: A Reader, (eds. Arthur and Marilouise Kroker), Toronto, ON, Canada: University of Toronto Press, Fall.

(2005). A Sensorial Act of Replication, Stelarc: The Monograph, (ed.) Dr Marquard Smith, USA: MIT Press.

(2005). 'Face-Off, Stelarc Interview', Meanjin: New Writing in Australia, Portraits of the Artist, (ed.) Ian Britain, Australia: Melbourne University Press, Vol. 64, No. 1 & 2, p166.

(2004). 'pros+thesis', LIVE: Art, Performance and the Contemporary, (ed.) Adrian Heathfield, London: Tate Publications.

(2002). 'The Human/not human in the work of Orlan and Stelarc', The Cyborg Experiments: extensions of the body in the media age, (ed.) Dr. Joanna Zyslinka, London and New York: Continuum.

(1999). 'The Sacrificial Body of Orlan', Special issue on Body Modification, Body and Society, (eds) Mike Featherstone & Bryan S. Turner, United Kingdom: Nottingham Trent University, Vol. 5, 2-3,

JOURNAL ARTICLES:
(2009). 'Samira Makhmalbaf’s Darkness and Light', Metro Magazine, #161, July, ATOM, Melbourne.

(2008). 'Edward Scissorhands: All Too Human', Australian Screen Education, Melbourne: Australian Teachers of Media, Issue #50, June.

(2008). 'Doubly Monstrous? Female and Disabled', Essays in Philosophy, Special Issue on Disability, (ed. Michael Goodman), The Department of Philosophy, California: Humboldt State University, Volume 9, No. 1, January.

(2007). 'Human by Design: GATTACA', Australian Screen Education, Melbourne: Australian Teachers of Media, Issue #46.

(2007). Review of Michael Richardson’s book, ‘Surrealism and Cinema’, Metro Magazine, Melbourne: Australian Teachers of Media, Issue #152.

(2006). Corporeal Melange: Aesthetics and Ethics of Biomaterials in Stelarc and Nina Sellars ‘Blender’, Leonardo: Art and Science Journal, (ed. Roger Malina), 39.5, October, USA: MIT.

(2005). Stelarc’s Prosthetic Head, cTheory – An international peer-reviewed journal of theory, technology and culture, 1000 Days of Theory, (eds.) Arthur and Marilouise Kroker, 10 October, 2005, http://www.ctheory.net

(2003). Case for Future Existence or Mutate Now and Live Forever (on the art of Korean artist Lee Bull), House of Tomorrow Catalogue, MESH, #16, Melbourne: Experimenta Media Arts.

(2002). Only Healthy Seed Must Be Sown: GATTACA, Australian Screen Education, ATOM, Melbourne, #30, November.

(2002). Waste Culture: GATTACA, WASTE, MESH, #15, Experimenta Media Arts, Melbourne, www.experimenta.org

(2001). Review of Company in Space Performance – Capital Theatre, Melbourne, Body, Space and Technology Journal, United Kingdom, http://www.brunel.ac.uk/depts/pfa/bstjournal/index.htm

(1999). Technological Women, Openline Magazine, Australia: RMIT University.

(1998). The Body Politic, Game Theory, MESH, Experimenta, Media Arts, Melbourne.

(1996). Cyb(erotic) Transformations, Arts in the Electronic Landscape, South Australia: Artlink.

(1995). Would you make love to a stick figure? Interview with Professor Allucquere Rosanne Stone, transgendered performance artist, at the Metropolitan, Melbourne, MESH, Experimenta Media Arts, Melbourne, August. (Commissioned).

CATALOGUE ESSAYS:
(2010). Spectacle of the Mind, Global Mind Project Launch (performances by Jill Orr, Stelarc and Domenico de Clario), Federation Square, Melbourne, 10 December, Melbourne: Global Mind Project (Karen Casey & Harry Sokol) – awaiting publication.

(2006). Aesthetic Emergence+Self, ‘Imagine Exhibition Catalogue’, (ed. Zara Stanhope), Australia: Heide Museum of Modern Art. (Commissioned).

(2004) Karen Casey’s Art of Mind, Catalogue essay for her exhibition at RMIT Gallery, Storey Hall, Melbourne in December. (Commissioned).

(2002). Pros+Thesis, Alternate Interfaces, Stelarc Exhibition Catalogue at Monash University Art Gallery, Melbourne, September.

(2002) Clones—Juan Ford Paintings, Dianne Tanzer GalIery, Melbourne. (Commissioned).

(1999) Silence, BYTEME, Digital Art Exhibition, Bendigo City Art Gallery (along with Dr. Kevin Murray and Dr. Darren Tofts). (Commissioned).

(1997) Indulge, Exhibition Catalogue, Fringe Festival, Melbourne

(1997) Challenge of the Space, Exhibition Catalogue, The Graduate Centre, The University of Melbourne

(1996) The Mechanics of Production, interview with Cherrie Whitington, Director of Organic/Mechanic, PGR, The University of Melbourne, Autumn.

(1995) The Virtual Scholar Symposium, interview with Matthew Riddle, Science Research Fellow at the University of Melbourne, Postgraduate Review, December.

FILM REVIEWS:
2009-2010 Various film reviews on my blog: http://juliejoyclarke.blogspot.com

(2005), Enduring Love (film review), Teaching English Australia (ed. Karen Ford), September, http://www.teachingenglish.com.au (Commissioned).

(2005), Rock School (film review), Teaching English Australia (ed. Karen Ford), August, http://www.teachingenglish.com.au (Commissioned).

(2005), Dirty Pretty Things (film review), Teaching English Australia (ed. Karen Ford), April, http://www.teachingenglish.com.au (Commissioned).

PERFORMANCE ART REVIEWS:
(1997). Zibniev Karkowski, review of performance of Zibniev Karkowski, with Stelarc and Geoffrey Hales at the Continental, Prahran, 1997, commissioned by Karkowski for his Paris and Tokyo performance flyers.

(1995) Survival Research Laboratories at ACCA. CATfood, Newsletter No.2. 1995

(1995). White Woman Variation No.1. Review of Linda Sproul performance at ACCA. CATfood Newsletter, July.

(1993). Love Equals Money, review of Michael Cook performance at Autopsy Bandwagon, Carlton, Club Tractor No.1, Melbourne, Victoria.

CREATIVE WRITING AS AUTHOR:
Lingua, Cyberpoetry Webzine, State Library of Victoria, May, 1999
New Stimuli, TUG, The Undercover Girl Magazine, online and in print, Oslo, Norway, May, 1998 Flightpaths - Writing Journeys, CD Rom, Next Wave Festival, September, 1997
Fleshfactor, Ars Electronica Symposium, Zurich, on-line discussion, September, 1997
Pollination, commissioned by MESH, Melbourne, 1994
Echo, Mind, Fall, (self published chapbook) Melbourne, 1989
Veils, chapbook, Post Neo Books, Elwood, Victoria, 1985
Skywriter, chapbook, Neo Publications, Elwood, Victoria, 1984
Poems (various), Mayblooms, Hawthorn Writers Group, 1984 and 1985
I lock my door, Up from Below: Anthology of Women Writers, Redress Press, Sydney - poem performed by LaBoite Theatre, Brisbane, 1987
Six Melbourne Writers on Tape, Produced by Marcus Breen & Steve Warne, Melbourne, 1984
Poem, Going Down Swinging No. 1, June, 1980, Melbourne, ed. Kevin Brophy
Poem, The Merri Creek or Nero, ed. Kris Hemensley, 1979, 1980, 1981
Poetic Prose pieces, Magic Sam, Sydney, 1979

ART EXHIBITIONS
Solo:
The Body and the City: a poem in three parts, Atrium Annex Gallery, Architecture Building, The University of Melbourne, 2011
Exogenous (Curator: Maggie McCormick), Stairwell Gallery, The Public Office, West Melbourne, 1999
Mutant Eugenics #1, Swanston Gallery Space, RMIT Union House, Melbourne, 1998
Mutant Eugenics #2, Interactive Information Institute, RMIT, Melbourne, 1998
Projected visuals for ‘signal-to-noise (s2n2s2n) techno-performance, Punters Club, Brunswick Street, Fitzroy, 1996
Subversions, Graduate Centre, The University of Melbourne, 1996
Surveillance, Cyber week, Rowden White Library, The University of Melbourne, 1994
Horror Autotoxicus, Druids Gallery Restaurant, Swanston Street, Melbourne, 1994
My God, It’s Full of Stars, (Curator: Maggie McCormick) upper level, City Square, Swanston Street, Melbourne, 1993
Zoo/Zone, (Curator: Maggie McCormick) upper level, City Square, Swanston Street, Melbourne, 1993
La Jouissance, (Julie Clarke and Bruce Dickson), Exhibition and Performance Space, Hawthorn Town Hall, 1992

Group:
Kodak Salon, Centre for Contemporary Photography, Fitzroy, 2010
Participant in Let’s Shake, (Artist: Karen Casey), Federation Square, Melbourne, 2008
Cracks in the Pavement: Gifts in the Urban Landscape (Curator: Heather Johnson), Austin, Texas, online and Melbourne locations, 2005
Celebrating the Exquisite Corpse, (Curator: Anonda Bell), Bendigo City Art Gallery, travelling to Ararat and Swan Hill Galleries, 2001
Lookinglasshouse, (Curator: Nik Pappas), RMIT exhibition window, Melbourne, 2000
Life, (Curator: Shaun Wilson), Stairwell, The Public Office, West Melbourne, 2000
Maxwell Summer Salon, Centre for Contemporary Photography, North Fitzroy, 2000
Lingua, Cyberpoetry Webzine, (Curator: Komninos Zervos), State Library of Victoria, Melbourne, 1999
Flightpaths: Writing Journeys (Curator: Bernie M. Janssen), Lovebits - Digital Arts Exposition, Staffordshire, U.K., 1998
Autopsy: The Dissection of Fashion, (Curator: Jan Bryant), Melbourne Town Hall, Melbourne, 1997
Challenge of the Space, (Curator: Julie Clarke), Graduate Centre, University of Melbourne, 1997
Cyberfringe, Fringe Festival, Stop 22 Gallery, Fitzroy Street, St. Kilda, 1996
IntelArt, (Curator: Joanne Kikkides), the Graduate Centre, The University of Melbourne, 1996
Gryph(on)Line, (Curator: Kishwar Rahman), Virtual Gallery, The University of Melbourne,1996
Sandridge Railway Bridge Propositions, Platform 2, Degraves Street underpass, Melbourne, 1996
Bird’s Eye View, (Curator: Shiralee Saul), New Media Network Gallery, Southgate, Melbourne, 1995
Humanetics: Artists Working with the Technological Body, (Curator: Shiralee Saul), New Media Network Gallery, Melbourne, 1995
Essence: International Networking Culture, Queensland Art Gallery, Griffith University and Toowoomba Regional Art Gallery, 1995
Persistence of Vision, (Curator: Dale Chapman), Druids Restaurant Gallery, Swanston Street, Melbourne, 1995
Cyberotic Mandala, Bailleau Library, The University of Melbourne, 1995
Christmas Without Derryn, Ealanie Gallery, Fitzroy, 1992
Tongue: Artists using text, (Curator: Dale Chapman), Spencer Street Platform Project, Melbourne, 1992
An(other) Mother, Cosmos Bookshop Window, (Curator: Dale Chapman), St. Kilda Festival, Melbourne, 1991
Julie Clarke, Rose Dean and Tim Craker, The Art Carrel, RMIT, Swanston Street, Melbourne, 1991
RMIT Group Painters, Building 2, RMIT, Swanston Street, Melbourne, 1991

VISUAL POETRY AND MAIL ART:
Mallarme Visual Poetry, (Curator: Pete Spence), Platform, Spencer Street, Melbourne ,1998
International Visual Poetry Exhibition, St. Kilda Festival and The NSW Writers Centre, Rozelle, NSW, 1996
Word Theatre, The Art Department, The City Art Museum, Kaliningrad, Russia, 1995
Second International Fax Art and Australian Concrete Poetry, City of Port Phillip Festival, 1995
International Fax Art and Australian Concrete Poetry (Curator P.ete Spence), St. Kilda Festival, St. Kilda Library, 1994
Images Congress Project, Pisa, Italy, 1992
Mostra ‘Fe/Mail Art 92’ , Museo Dell Informazione, Senigallia, Italy, 1992
Gold: First International Visual Poetry Exhibition, Marashriba Gallery, Cairo, Egypt, 1992
Third International Visual Poetry Exhibition, (Curator: Raimondo Cortese), The Lounge, Swanston Street, Melbourne, 1992
Carnivale Mostra Internazionale di mail art, via Boccherini 122, Pisa, Italy, 1990
International Mail Art, (Curator: Raimondo Cortese), Baker’s Cafe, Fitzroy, 1990
Visual Poetry Outdoor Show, St. Kilda Festival, 1990
International Mail Art Show, The Writers’ Centre, Melbourne, 1990
Art Start, Artists Books Archive, Middleburg, Holland, 1990
First International Visual Poetry Exhibition, Old Ticket Box Office, Fitzroy football oval, 1988
Just Wot? Visual Poetry, Artist Space Gallery, Park Street, Fitzroy, 1987

EXHIBITIONS (AS CURATOR)
Ambush from all directions – Sheng Qi (China), Mass Gallery, Melbourne Fringe 2000
The Mistranslations, Catherine Woo, Mass Gallery, Melbourne Fringe 2000
Trans-actions: bodies in performance,5 Melbourne artists, Mass Gallery, Fringe 2000
Regional Artists, Pre View Gallery, Melbourne Fringe Festival 2000
Mind-A-Maze, Fitzroy Town Hall, during Melbourne Fringe Festival, September 1998
Labyrinths, Fitzroy Town Hall, during Melbourne Fringe Festival, September 1997
Challenge of the Space, Graduate Centre, The University of Melbourne, December 1996
Indulge, Old San Remo Liquor Department, Prahran Market, during Melbourne Fringe Festival, October, 1996

ART REVIEWS:
KIKKIDES, J., IntelArt Exhibition Catalogue, The University of Melbourne, 1996
RAHMAN, K., Gryph(on)Line, Virtual Gallery Exhibition catalogue, The University of Melbourne, 1996

MY ARTWORK REPRODUCED IN:
The Age, Arts Review, June 2000
Bendigo City Art Gallery, Exquisite Corpse Catalogue, July 2000
Campus Review, Sydney, June 2000
Antithesis, The University of Melbourne, Memes, infectious thought, Vol. 8, No, 1, 1996
AEDON 3.1, The Melbourne University Literary Review, December, 1995/96
Postgraduate Review, The University of Melbourne, Connexions 96 Edition, 1996
Postgraduate Review, The University of Melbourne, Summer 1995
The Postgraduate Association, The University of Melbourne, Intelart Catalogue, May 1996
Axle Concrete Poetry, Melbourne, Victoria, 1995

RADIO AND OTHER INTERVIEWS
The Arts Show/Roger Taylor, 3RRR, Julie Clarke interview with A. R. Stone, University of Austin, Texas August, 1995.
High and Low Arts Show, convened by Roger Taylor, 3RRR, Stelarc and Julie Clarke, 1996.
Interviewed Justina Curtis and other women involved in the Beijing/Melbourne Internet Linkup with the Women’s Conference in China. Camerawork by David Sliwka (Scar TV), State Film Centre, August, 1995 (unscreened).
Fringe Visual Arts – 3CR and– 3RRR


COLLECTIONS IN LIBRARIES:
Skywriter and Echo, Mind, Fall, Rare Books, State Library of Victoria (Curator: Des Cowley)
Skywriter and Echo, Mind, Fall, Rare Books, Matheson Library, Monash University,
Skywriter and Echo, Mind, Fall, Veils in Poetry and Rare Books, University of Buffalo
Skywriter and Echo, Mind, Fall, General collection, The Bailleau Library, The University of Melbourne

READER FOR THE FOLLOWING PUBLICATIONS:
Body and Society (ed) Mike Featherstone, United Kingdom
Mesh, Experimenta Media Arts, Melbourne
Antithesis, The University of Melbourne
Stelarc Monograph, currently being written by Ashley Crawford

PUBLISHED INTERVIEWS (AS AUTHOR)
Visual Pleasures, Impress, Magazine, September, 2000
Beat Magazine, September 2000

PRODUCER:
Steven Middleton Art Exhibition February 2001: Casual Production Manager, which involved media liaison and ensuring that Steven’s large-scale digital images were printed correctly, picked up from print bureau and installed in the exhibition venue.

Organic/Mechanic: A play by postgraduate students, The Open Stage, The University of Melbourne, 1993. Liaison with Open Stage staff, the Director of the Play and students, sourcing equipment requirements, bump in and bump out of scenery and installations.

AUTHORS WHO CITE OR QUOTE FROM MY PUBLISHED ARTICLES:
Abrahamsson, Christian and Sebastian Abrahamsson (2007), ‘Culture Geographies in practice: In conversation with the body conveniently known as Stelarc’, Cultural Geographies, 14, 293-308.

Akman, Kubilay (2006) ‘Orlan and the Work of Art in the Age of Hyper-mechanical Organic Reproduction’, International Journal of Baudrillard Studies, Volume 3, Number 1 (January 2006).

Alaszewski, Andy (2001), Review of ‘Body Modification’, Health, Risk & Society, Routledge, VOL. 3, NO. 3.

Buchanan-Oliver, Margo & Angela Cruz, The University of Auckland, New Zealand
The Body and Technology: Discourses Shaping Consumer Experience and Marketing Communications of Technological Products and Services
http://www.acrwebsite.org/volumes/v36/NAACR_vol36_23.pdf

Botting, Fred (2003), ‘Metaphors and Monsters’, Journal for Cultural Research, Volume 7, Issue 4, October, pages 339 - 365

Botting, Fred and Wilson, Scott (2002), ‘Morlan’, In The Cyborg Experiments: The Extension of the Body in the Media Age, (ed) Joanna Zylinska, Continuum, London and New York.

Brazil, Scott, Posthuman Essay
http://www.scribd.com/doc/32486776/b00105047-Posthuman-Essay-2010

Cook, Peta S. (2004), The Modernistic Posthuman Prophecy of Donna Haraway, University of Queensland. Transhumanist improvements to humanity will surpass the annoying restrictions of biological and organic human evolution to facilitate a posthuman condition of variant ‘postbiologicalism’.

Alan Dix, Jennifer G. Sheridan, Stuart Reeves, Steve Benford, and Claire
O’Malley (2005), ‘Formalising Performative Interaction’, Embedded interactive systems, Department of Lancaster University .

Giannach, Gabriella (2007), ‘Review of Stelarc: The Monograph’, Contemporary Theatre Review, Volume 17, Issue 3 August, pages 463 – 470.

Giannach, Gabriella (2004), Virtual Theatres, Routledge, U.K.

Hege, Charlotte Faber (2007), ‘Between Art, Aesthetics and Bioethics:GFP Bunny and Other Projects’, University Library of Trondheim, NTNU, NSE Conference: The Limits of Aesthetics, 31.5 – 3.6. Aarhus.

Knafo, Danielle and Kenneth Feiner. (2005) Unconscious Fantasies and the Relational World, Hillsdale, NJ, Analytic Press.

Kennedy, Helen W. (2004), Review of ‘The Cyborg Experiments: The Extensions of the Body in the Media Age’, Brit J Aesthetics, 44: 106-109; doi:10.1093/bjaesthetics/44.1.106.

Kunst, Bojana (2002), ‘Strategies of Subjectivity in Contemporary Performance Art’. Maska Performance Territories, Year. XVII, No. 74-75, p. 10-14, 77-80.

Malacrida, Claudia and Jacqueline Low (eds), (2008). Sociology of the Body: A Reader, Oxford University Press.

Middleton, Steven (2002), ‘The prosthetic head’, Paper delivered at the Vital Signs Conference, RMIT, Melbourne.

Nayar, Pramod K, ‘No Pain Like This’, Culture Machine http://culturemachine.tees.ac.uk/Reviews/rev6.htm

Reagan, Trudy Myrrh. (2006). ‘The Delights of Dorkbot’, Ylem Journal, Artists Using Science and Technology, vol. 26 - no. 2.

Setlia, Badreddine (2010) A Degree In Humanity: Artificial Humanity and its Effect on Our Self-Image in Blade Runner and Edward Scissorhands, University of Groningen ~ A Masters dissertation.

Edward Sheer, Review of Stelarc: The Monograph, Culture Machine, United Kingdom,
http://culturemachine.tees.ac.uk/Reviews/rev61.htm

Sone, Yugi ‘Phantom’ Puppetry in Stelarc’s Work, Australasian Drama Studies, October, 2007.

Stelarc, ‘CTheory Live: STELARC in conversation with Arthur & Marilouise Kroker’, April 20, 2006.

Styles, Penne ‘Whose Afraid of Designer Babies’, ATOM, Melbourne, Australia.

Tofts, Darren: rhizomes.17 winter 2008 ‘Keep Your Virtual Hands Off Me! Paranoia, Affect and Influencing Machines’. http://www.rhizomes.net/issue17/tofts/index.html

van Oorschot, Irene, ‘Dissecting the Self: The Reincarnations of Saint-Orlan,
http://www.socialscience.nl/SocialScience/application/upload/files/vol2%20is1%20oorschot.pdf

Verhoeven, W. (2010). ‘A Degree In Humanity: Artificial Humanity and its Effect on Our Self-Image in Blade Runner and Edward Scissorhands’. Rijksuniversiteit Groningen, Master Dissertation, http://scripties.let.eldoc.ub.rug.nl/FILES/root/Master/DoorstroomMasters/AmericanStudies/2010/Setlia.B./A_Degree_In_Humanity.pdf
Wen-Ling Tseng , Masters Thesis, National Chung Hsing University, China, 2007

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